After completing musical training at the Conservatoire de Paris, Clara Furey launched her career as a singer-songwriter.
She later trained as a dancer at the École de danse contemporaine de Montréal and worked with choreographers such as George Stamos, Damien Jalet, and Benoît Lachambre. An artist accustomed to collaborative work (Untied Tales with Peter Jasko, showcased at the Venice Biennale in 2016, Ciguë with Éric Arnal Burtschy), Furey created her first solo work as artistic director in 2017 with Cosmic Love, a collective piece with minimal gestures, exploring the voids and invisibilities in the interactions between body, song, and space.
As both a choreographer and a performer, Furey is interested in shifting codes within various forms of art by way of an interdisciplinary dialogue. In 2017, she performed When Even The 90 times alongside a sculpture by Marc Quinn as part of the Leonard Cohen exhibit at the Musée d’art contemporain de Montréal. She is the choreographer of Rather a Ditch (2019), a solo piece written for Céline Bonnier centring on the permeability of bodies, as a response to Steve Reich’s album Different Trains.
Her works toured in numerous festivals including the Biennale of Venice, Les Rencontres Chorégraphiques in Paris, the Festival TransAmériques in Montreal, ImPulsTanz in Vienna, Performance Mix in New-York City and in different countries such as Lithuania, Czech Republic, Slovakia, Spain, The Netherlands, Belgium, Azerbaïdjan and Bulgaria.
With Dog Rising, Furey concludes her exploration of tension and immobility, freeing previously contained energies in a performance focusing on persistence, groove and pleasure. She insists on the repetition of infinite loops through an extreme physical journey, a mesmerizing, haunting and penetrating spiral.